Press Release
Tongues of Fire is a thematic group exhibition that brings together artists who have been deeply touched and transformed through the challenges manifest in the burnt and burning. Hailing from diverse generations and backgrounds, these individuals converge to explore how flames have served as agents of change across time and space.
In response to our home building’s former life as a fire station, and Trondheim’s history as a city shaped by blazes whose traces are still present in its design today, the exhibition contemplates fire’s many physical facets—its light, its heat, its other phenomena. Through the mediums of tapestry, video, computer simulation, sculpture, photography, and drawing, the artworks simultaneously kindle reflection on broader themes such as wonder, intimacy, and passion, and the urgent concerns of war, repair, and climate.
International Archives 1st half of 2024
By sharing narratives, strategies, and recollections, with a special emphasis on communal remembrance, the exhibition sheds light on the intertwined history of fire and humanity, inviting reflection on whether this intricate and fragile relationship is now teetering out of control. The pivotal role of the arts in shaping the politics of memory and the regional specificities of fire is highlighted through a collection of historic objects sourced from Trondheim’s archives, including the city’s repeatedly burnt cathedral. Together, these artworks gather to pose a question: what lies ahead in our ever-
On a formal and technological level, several works in the exhibition directly relate to fire. In the most apparent instances, this involves the heating, burning, charring, and melting of wood, metal, and other materials. However, the exhibition also features lens and screen-
In addition to the core contemporary art exhibition, Tongues of Fire is grounded by artifacts from Trondheim’s own tale. These include the score to a 17th century “Fire Ballad” that attributes the blame for the 1681 inferno that devastated Trondheim to the city’s own moral decay alongside Johan Caspar de Cicignon’s (c. 1625–96) Enlightenment plan for the subsequent rebuild following rationalist design principles.
Archival photographs document Kunsthall Trondheim’s home building’s former life as a fire station alongside images of key fires in the city’s history. One such fire, which consumed parts of the Archbishop’s Palace in 1983, is represented through a collection of early 20th century stone gargoyles and other grotesques that once adorned the adjacent Nidaros Cathedral until they were scorched in that event. This incident altered their color and texture from cool stone-
The participating artists are Anna-
Exhibition Curators: Adam Kleinman and Katrine Elise Agpalza Pedersen
The exhibition is supported by The Fritt Ord Foundation and The Finnish-
Exhibition 22 February -
Fire at Bromstad Farm, Trondheim, March 20, 1955. Photo: Schrøder/Sverresborg Trøndelag Folkemuseum.
© ArtCatalyse International / Marika Prévosto 2024 All Rights Reserved