Press Release
Today, the question of preservation versus innovation seems to underlie much cultural discourse, as if a choice between cultural identity and a global homogeneity were possible. This language that is every stone examines this tension through the concept of creolisation: an idea brought to prominence by Martinican writer Édouard Glissant. Widely recognised as one of the most important literary figures of the Caribbean, Glissant was a poet and philosopher whose body of work continues to inspire and influence artists across the globe.
This language that is every stone
Institute of Modern Art, Brisbane Queensland (Australia)
12.02 - 16.04.2022
Exhibition 12 February -
Glissant defined creolisation as a constant state of cultural transformation, whereby endless local difference emerges from recurrent contact between people—ith one another—s well as the natural world. As Glissant writes, creolisation is “ phenomenon that is real in the world: that is to say not one of us can pretend to be shielded from the good or bad influences of the world.”
Curated by Hans Ulrich Obrist, Asad Raza, and Kamilaroi artist Warraba Weatherall, This language that is every stone is the fourth iteration in a series of exhibitions conceived by Obrist and Raza that survey Glissant’ life and work. Developed specifically within an Australian context, This language that is every stone explores cultural synthesis and permeability through the works of Australian First Nations and diasporic artists, with contributions from international counterparts.
Artists : Vernon Ah Kee, Robert Andrew, Daniel Boyd, Megan Cope, Manthia Diawara, Taloi Havini, Koo Jeong A, Sancintya Mohini Simpson, Phuong Ngo, The Otolith Group, Philippe Parreno, Raqs Media Collective, Khaled Sabsabi, Anri Sala, Yhonnie Scarce, Latai Taumoepeau, and Shireen Taweel.
About the Institute of Modern Art
Since 1975 the Institute of Modern Art has been the hub of Brisbane’ contemporary art scene, presenting an annual program of exhibitions, public programs, publications, and offsite programs by Queensland, Australian, and international artists. The IMA is a registered charity and membership organisation supported by the Queensland Government through Arts Queensland, the Australian Government through Australia Council for the Arts, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a founding member of Contemporary Art Organisations Australia.
Daniel Boyd, Untitled (EOTAEIAOOTA), 2020. Oil, acrylic, and archival glue on canvas, 58.5 x 82.5 cm. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
© ArtCatalyse International / Marika Prévosto 2022. All Rights Reserved
