Press Release
In her exhibition Still Shifting, Mother Field, Jennifer Tee probes the question of how we can return to—or redefine—humanity’s place in our natural environment and the cosmos. Her works—most of them created specifically for this presentation—are characterized by her experimental use of a wide variety of creative techniques. Tee’s collages and sculptures including ceramic domes, knitted floor objects, and textile shells activated in weekly performances, are imbued with a quest for a spiritual dimension in art. Taking inspiration from the idea of the transmigration of the spirit or the lost soul, she puts a particular focus on forms of transition, the passages and processes of ongoing and incessant change.
The exhibition’s point of departure is the series of Tampan Tulips, which Tee has developed since 2016 and now presents for the first time in an extensive assembly. The motifs of these collages made of pressed tulip petals are based on tampan fabrics, ceremonial cloths from where they were exchanged in rates of passage. The ship is a central motif in the emblematic representations woven into the cloths, sailing toward another world with a company of humans, animals, and plantlike shapes. The geometric and often mirror-
Jennifer Tee, born 1973 in Arnhem, lives and works in Amsterdam.
Performances: Every Sunday at 11am while the exhibition is on view. Duration ca. 45 min.
Commissioned and produced by Secession, Vienna and Kunstinstituut Melly, Rotterdam.
Exhibition 16 September -
© ArtCatalyse International / Marika Prévosto 2022. All Rights Reserved
Jennifer Tee, Tampan World Mountain, Ancestral Creatures (detail), 2022. Tulip petal collage, 172 x 185 cm.