Press Release
With her artistic oeuvre and curatorial practice, Katrin Hornek playfully engages with the strange paradoxes of living in the age of the Anthropocene, that is, the new geologic epoch where the effects of capitalism, colonialism, and extractivism are written into the body of the earth. She asserts a more complex understanding of the entwinement of so-
International Archives 1st half of 2024
testing grounds is a new, immersive live installation conceived by Katrin Hornek and developed in a collaborative process involving artists as well as researchers and scientists from different fields. The collaboration with Karin Pauer, Sabina Holzer, and Zosia Hołubowska lays a foundation for the work, which addresses a sensitive urgent matter: At stake is the measurable evidence of radioactive radiation around the world as a result of the testing and use of nuclear weapons in hundreds of above-
Embedded in an installation that evokes images of decaying landscapes, twice a week three dancers perform a score choreographed by Pauer. A recent scan of the “aker”crater on the seabed of the former US nuclear bomb test site in Bikini Atoll spreads across the ceiling. On handheld devices shaped like turtles and tortoises, so-
Katrin Hornek (b. 1983, Austria) studied performative art and sculpture in Vienna and Copenhagen. She is a member of the Anthropocene Commons network and teaches at the University of Applied Arts Vienna (Department of Site-
The exhibition is sponsored by Arbeiterkammer Wien. Co-
Programmed by the board of the Secession. Curated by Jeanette Pacher.
Image: Katrin Hornek.
Exhibition 08 March -
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