E-Flux Press Release

Between 1799 and 1804 a young naturalist, Alexander von Humboldt (1769–1859), visited the American continent for the first time, making two expeditions. The most adventurous section of his journey was the trip down the Orinoco to the Rio Negro in Venezuela. At the time, his report on this journey laid the foundations for a holistic way of looking at nature—one that was way ahead of its time. Von Humboldt was the first researcher to point out how the forces of nature, both animate and inanimate, work together. In 1853, these first chronicles of the New World were published in a special edition entitled Jaguars and Electric Eels, an excerpt from the "Personal Narrative of a Journey to the Equinoctical Regions of the New Continent."

 

 

International Archives 1st half of 2017

Jaguars and Electric Eels

Julia Stoschek Collection, Berlin (Germany)

05.02 - 26.11.2017

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The largely media-based works in the collection of the same name on show at the Julia Stoschek Collection in Berlin describe a reality that no longer distinguishes between naturalness and artificiality but sees things as a whole and as equals. Starting with the idea of the kind of ecology that focuses not only on natural circumstances but also on the economic and socio-political situation, as well as on technological progress, the exhibition investigates an alternative interpretation of anthropology and zoology.

Accordingly, the total of 39 works by 30 artists evidences the search for our evolutionary roots, looking into questions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and that of our constantly changing perceptions of reality due to all kinds of different influences. As the various artists’ contributions to the exhibition illustrate, our modern life science questions both the line between naturalness and artificiality and the ontology of objects of all kinds. The different complexes of subjects move within that intermediate space between nature and art, their various systems offering new approaches to interpretation and methods of classification.

Parallel to the opening on February 4, 2017, the performance Epithelial Echo by Donna Huanca will take place within the exhibition.

Participating artists
Doug Aitken, Kader Attia, Heike Baranowsky, Trisha Donnelly, Juan Downey, Encyclopedia Pictura/Björk, Cyprien Gaillard, Ryan Gander, Manuel Graf, Cao Guimarães, Nancy Holt & Robert Smithson, Martin Honert, Isaac Julien, Donna Huanca, Simon Martin, Nandipha Mntambo, Ana Mendieta, Paul Pfeiffer, James Richards & Leslie Thornton, Ben Rivers, Natascha Sadr Haghighian, STURTEVANT, Bill Viola, Guan Xiao, Anicka Yi, Aaron Young

 

Anicka Yi, The Flavor Genome (still), 2016. Single-channel 3D video installation, 22 minutes, colour, sound. Courtesy of the artist and 47 Canal, New York.

Exhibition 5 February - 26 November 2017. Julia Stoschek Collection, Leipziger Str. 60 - 10117 Berlin (Germany). Hours: Thursday–Sunday 2–8pm.

 

 

 

 

© ArtCatalyse International / Marika Prévosto 2017. All Rights Reserved