Press Release
At a time of global ecocrisis, Swiss artist Ursula Biemann proposes to rethink the epistemic roots of our relationship with the Earth. In her field research she explores the ecologies of forests and oil as well as the consequences of extractivist projects on the global ecosystems and the climate. In her multilayered videos, the artist interweaves vast cinematographic landscapes with documentary images, sci-
International Archives 1st half of 2024
For Biemann, art can probe the limits between ways of thinking, feeling and knowing. Her video essays are visual reflections that emphasize the importance of narration and the way we tell stories about the world. The artist introduces actants and intermediaries into her narratives, such as the field scientist or the explorer, to emphasize the meaning of different political landscapes and contemporary habitats: they function as conduits that bring us in contact with the many ecosystems with which we coexist. For instance, the science fictional video Acoustic Ocean (2018) explores the sonic ecology of marine life on the Lofoten Islands in arctic Norway with a marine biologist engaging in interspecies communication by means of scientific instruments.
Ursula Biemann’s new projects included in this exhibition are centered on the politics of knowledge. One prominent example is the initiative Devenir Universidad (2019-
The exhibition Becoming Earth explores the possibilities of transformation through a poetics of images, sounds and words that heighten our awareness of the interconnections with the natural world and affirm the need to hold multispecies dialogues to enhance our role in maintaining healthy ecosystems. Biemann’s sensitive and theoretical proposal immerses us in an experience in which images and testimonies powerfully interpellate the world we inhabit.
Curator: Virginia Roy Luzarraga
Exhibition 20 April -
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