Press Release
The Musée cantonal des Beaux-
For almost ten years, plants have been a regular focus of Orlow’s work, both witnesses to and protagonists of specific histories that they enable us to uncover or interpret differently, whether it be the blind spots of our colonial heritage, or our relationship to the natural world.
International ongoing exhibitions
In his latest project, Forest Futurism, Orlow pursues a change of focus already initiated with Up Up Up, a work produced in the Engadine in which he looked at the forced movements of plants to higher altitudes in order to adapt to a changing ecosystem. Here, it is the life of plants themselves, outside or beyond the time of human history, that is at the centre of his topic. Forest Futurism is the result of research initiated by Orlow in the Italian Alps, in the Merano region. Produced as part of the residency programme of BAU, an institute dedicated to contemporary art and ecology, it explores the time span of climate change.
Orlow has collaborated with a palaeobotanist and climate scientists, as well as with children from a forest kindergarten, to understand not only climate transformations in a double movement towards the past and the future, but also to explore our connections with the more-
The artist has enacted different shifts to give physical, visual and sensory form to his research. While he is interested in the material traces of the time span that are fossilised trees, he translates them into sculptures by creating 3D renderings in volcanic stone. But central to the show is his film, We Have Already Lived Through Our Future—We Just Don’t Remember It (2024), the result of months of filming over several seasons. It lies at the intersection between the factual, visual documentation of a place and what its history teaches us, and the mise-
Curated by Nicole Schweizer, Curator of contemporary art, MCBA.
Festival 27 September 2024 -
© ArtCatalyse International / Marika Prévosto 2024 All Rights Reserved
Uriel Orlow, We Have Already Lived Through Our Future—We Just Don’t Remember It, 2024, video, colour, sound 5.1, 24 minutes. © Uriel Orlow.